Discontinuous Flashes of Energy
November 10 - December 9, 2018
Press Release

Matthew Schrader, Field, 2018, conduit pipe, cloth, coated copper, wire, existing architecture

Installation view

Installation view

Installation view

Installation view

Installation view

Installation view

Installation view

Annabeth Marks and Matthew Schrader, Discontinuous Flashes of Energy, 2018, pigment on c-print

Installation view

Annabeth Marks and Matthew Schrader, Discontinuous Flashes of Energy, 2018, pigment on c-print

Annabeth Marks and Matthew Schrader, Discontinuous Flashes of Energy, 2018, pigment on c-print

Annabeth Marks, Protection I (can one spend time within a flower), 2018, oil paint, deconstructed leather jacket

Installation view

Annabeth Marks and Matthew Schrader, Datura, 2018, c-prints

Installation view

Annabeth Marks and Matthew Schrader, Discontinuous Flashes of Energy, 2018, pigment on c-print

Installation view

Installation view

Matthew Schrader, Field, 2018, wood, existing architecture

Matthew Schrader, Field, 2018, wood, existing architecture (detail)

Installation view

Installation view

Installation view

Annabeth Marks and Matthew Schrader, Datura / Bee, 2018, c-print

Annabeth Marks and Matthew Schrader, Datura / Fold II, 2018, inkjet print on newsprint, medium amber lighting gel

Annabeth Marks and Matthew Schrader, Datura / Fold II, 2018, inkjet print on newsprint, medium amber lighting gel (detail)

Annabeth Marks, Protection III (surface accumulation), 2017, acrylic and oil paint on collaged paper

Annabeth Marks, Protection III (surface accumulation), 2017, acrylic and oil paint on collaged paper

Matthew Schrader, Field, 2018, plastic coated copper wire, steel, existing architecture

Annabeth Marks, Protection II (window body), 2017, oil paint, rabbit skin glue on canvas (detail)

Annabeth Marks, Protection II (window body), 2017, oil paint, rabbit skin glue on canvas
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The exhibition is comprised of collaborative photographic works by Marks and Schrader as well as works made individually.
The images examine Datura plants, a species of poisonous vespertine flowering plants,
and are a part of an ongoing project the artists began making together in 2016.
Stacks of unaltered color c-prints sit on a ledge and two large photographs printed on 10’ long sheets of
newsprint fold and drape over themselves on the floor.
collaged and layered paper, and a painted and deconstructed leather jacket. The sculptures made by
Schrader utilize steel, wood, electrical wire and the existing architecture.